Halo Halo "Pitagora muore affogato nello Yogurt" Solo Show

Where Halo Halo passes nothing remains as before. Each surface becomes a canvas, there are no boundaries or borders. His almost obsessive tract goes beyond the frame, continues on the walls, transforms the environments. Not even the Square23 gallery remained immune to its passage. In assembling the "Pythagoras die drowned in yogurt" staff, Luigi Garofalo, his name in the registry, was closed in the gallery for five days: he consumed 5 black markers to paint, point by step, walls and ceiling. An emotional cartography, from which faces, portraits, and letters are written, and here and there its hidden signature. The glimpse through the windows overlooking Via San Massimo is amazing, you have the feeling of being in front of an embroidery, a tapestry of light lace seems to have replaced the walls. On this background are paintings and canvases, which tell the style change in Halo Halo technique. From the works of origins - black and white lines intertwined to create imaginative landscapes, which he, often drawn to bus stops -, Garofalo went to the use of color. From pencil to watercolor, a new source of artistic love. His work keeps that instinctive impression, which is its trademark, but is enriched with a new dimension. That chromatic. And his intricate structures seem to get out of the plane of the canvas, they become matter-of-fact. Among the "castles" illuminated by pink, yellow, blue, red, purple emerge fantastic structures, to compose an imaginary architecture. Chromatic suggestions that leave the spectator the chance to space with imagination in search of his own image. After moving from paper to canvas to large surfaces, the introduction of color, with its amazing results, seems to be a prelude to a new evolution in Halo Halo's search for the three-dimensionality of sculpture.